On Guyot - Wild Nothing
Music is meant to be a journey into a different mode of thinking, and of living. Music is the one thing in this world that we can always count on, to lift our spirits and to sweeten the already sweet moments of our existence. Music is what makes us feel important in this massive universe, because most of what is out there is silence and to have the power to fill the silence with something beautiful is a great power indeed. Music is magic and science and poetry all bundled up into one magnificent creation.
Music is my life.
BLACK GIRLS DO IT WELL: assfcuker: ok so lemme do a short thing about virginity/ tightness of... →
ok so lemme do a short thing about virginity/ tightness of vagina. Your vagina gets looser as you become more sexually aroused during intercourse. This is why when you normally put a finger in your vagina, its a lot tighter than when you put it in when you’re aroused. The myth that the vagina is tighter when you’re a virgin is caused by 2 things
1) cis men love the idea of “ruining” a woman’s body (as shown by porn) and they get some sort of sick pleasure from thinking that after having sex with a woman, she will never be the same again.
2) women are more anxious during their first time, which results in them being less sexually aroused and their vagina being more contracted.
if your have kids young enough, your vagina will literally return to it’s previous tightness. That’s how elastic it is. There is no way your vagina becomes “looser after having sex with lots of men”. that’s just slut shame-y bullshit.
Men who brag about shit like “her pussy was tight as hell for me. I ruined that pussy” are just bragging about the fact that they couldnt sexually arouse her enough for her to loosen enough. Which means they are awful at sex. They are bragging about being fucking awful at sex.
The only time your vagina becomes looser is with age and after multiple births.
Anyone who tell you differently is dumb.
*sips tea while reading the bolded*
Realistic Erotica: “Please don’t stop,” she moaned just as my fucking hand started to really cramp.
FUCK YOU FOR CUTTING THIS SCENE
Wow, I had no idea this scene existed.
For real. This and Dumbledor’s funeral were seriously missed in the series for me.
IN RELATED NEWS I WANT TO MOVE TO FUCKING CANADA
FUCK THIS TOILET BOWL OF A COUNTRY I’M DONE
That’s fucking bullshit.
I hate this shit more than you can imagine. How could a jury even come close to not guilty is beyond me.
Also casual reminder that escorts EXPLICITLY do not agree to sex when paid. That is when it becomes prostitution, where it becomes illegal. If she had agreed to sex she would have been breaking the law. So this guy literally shot a woman because she didn’t do something illegal, and got away with it.
![britpixie:
jennyowenyoungs:
yelyahwilliams:
shauncey:
thejoshlovell:
sleepysenses:
suicideblonde:
INGLOURIOUS BASTERDS Fits Perfectly into Quentin Tarantino’s Movie Universe and Influences the Entire Filmography
By now, most Quentin Tarantino fans are aware of the connections interlaced throughout all of his films. John Travolta’s Vincent Vega in Pulp Fiction is the brother of Michael Madsen’s Vic Vega in Reservoir Dogs, Harvey Keitel’s Mr. White worked with Alabama from True Romance, the plot basis for Kill Bill is described as the synopsis for a TV series in Pulp Fiction, etc.
Now the epiphany that Eli Roth’s character of Donny Donowitz aka “The Bear Jew” in Inglourious Basterds is the father of the movie producer Lee Donowitz in True Romance has inspired a truly mind-blowing theory that the rest of the films (chronologically speaking) in Tarantino’s filmography take place in a world where [Inglorious Basterds spoiler] World War II came to an end when Adolf Hitler was brutally murdered in a movie theater by the Basterds.
This initial connection was brought up in an article on Cracked, but a poster on Reddit (via David Chen’s Twitter) has more eloquently summed up what this means for Tarantino’s movieverse:
As it turns out, Donny Donowitz, ‘The Bear Jew’, is the father of movie producer Lee Donowitz from True Romance – which means that, in Tarantino’s universe, everybody grew up learning about how a bunch of commando Jews machine gunned Hitler to death in a burning movie theater, as opposed to quietly killing himself in a bunker. Because World War 2 ended in a movie theater, everybody lends greater significance to pop culture, hence why seemingly everybody has Abed-level knowledge of movies and TV. Likewise, because America won World War 2 in one concentrated act of hyperviolent slaughter, Americans as a whole are more desensitized to that sort of thing. Hence why Butch is unfazed by killing two people, Mr. White and Mr. Pink take a pragmatic approach to killing in their line of work, Esmerelda the cab driver is obsessed with death, etc. You can extrapolate this further when you realize that Tarantino’s movies are technically two universes – he’s gone on record as saying that Kill Bill and From Dusk ‘Til Dawn take place in a ‘movie movie universe’; that is, they’re movies that characters from the Pulp Fiction, Reservoir Dogs, True Romance, and Death Proof universe would go to see in theaters. (Kill Bill, after all, is basically Fox Force Five, right on down to Mia Wallace playing the title role.) What immediately springs to mind about Kill Bill and From Dusk ‘Til Dawn? That they’re crazy violent, even by Tarantino standards. These are the movies produced in a world where America’s crowning victory was locking a bunch of people in a movie theater and blowing it to bits – and keep in mind, Lee Donowitz, son of one of the people on the suicide mission to kill Hitler, is a very successful movie producer. Basically, it turns every Tarantino movie into alternate reality sci fi. I love it so hard.
fuckkk.
This is pretty awesome.
Wow.
My mind hurts. This is crazy.
Kaboom
What…. I kept seeing this and scrolling past because tl;dr, I’m not a huge Tarantino fan…. but, what????](http://25.media.tumblr.com/tumblr_m4uw9gSZmJ1qz9qooo1_500.jpg)
By now, most Quentin Tarantino fans are aware of the connections interlaced throughout all of his films. John Travolta’s Vincent Vega in Pulp Fiction is the brother of Michael Madsen’s Vic Vega in Reservoir Dogs, Harvey Keitel’s Mr. White worked with Alabama from True Romance, the plot basis for Kill Bill is described as the synopsis for a TV series in Pulp Fiction, etc.
Now the epiphany that Eli Roth’s character of Donny Donowitz aka “The Bear Jew” in Inglourious Basterds is the father of the movie producer Lee Donowitz in True Romance has inspired a truly mind-blowing theory that the rest of the films (chronologically speaking) in Tarantino’s filmography take place in a world where [Inglorious Basterds spoiler] World War II came to an end when Adolf Hitler was brutally murdered in a movie theater by the Basterds.
This initial connection was brought up in an article on Cracked, but a poster on Reddit (via David Chen’s Twitter) has more eloquently summed up what this means for Tarantino’s movieverse:
As it turns out, Donny Donowitz, ‘The Bear Jew’, is the father of movie producer Lee Donowitz from True Romance – which means that, in Tarantino’s universe, everybody grew up learning about how a bunch of commando Jews machine gunned Hitler to death in a burning movie theater, as opposed to quietly killing himself in a bunker. Because World War 2 ended in a movie theater, everybody lends greater significance to pop culture, hence why seemingly everybody has Abed-level knowledge of movies and TV. Likewise, because America won World War 2 in one concentrated act of hyperviolent slaughter, Americans as a whole are more desensitized to that sort of thing. Hence why Butch is unfazed by killing two people, Mr. White and Mr. Pink take a pragmatic approach to killing in their line of work, Esmerelda the cab driver is obsessed with death, etc. You can extrapolate this further when you realize that Tarantino’s movies are technically two universes – he’s gone on record as saying that Kill Bill and From Dusk ‘Til Dawn take place in a ‘movie movie universe’; that is, they’re movies that characters from the Pulp Fiction, Reservoir Dogs, True Romance, and Death Proof universe would go to see in theaters. (Kill Bill, after all, is basically Fox Force Five, right on down to Mia Wallace playing the title role.) What immediately springs to mind about Kill Bill and From Dusk ‘Til Dawn? That they’re crazy violent, even by Tarantino standards. These are the movies produced in a world where America’s crowning victory was locking a bunch of people in a movie theater and blowing it to bits – and keep in mind, Lee Donowitz, son of one of the people on the suicide mission to kill Hitler, is a very successful movie producer. Basically, it turns every Tarantino movie into alternate reality sci fi. I love it so hard.
fuckkk.
This is pretty awesome.
Wow.
My mind hurts. This is crazy.
Kaboom
What…. I kept seeing this and scrolling past because tl;dr, I’m not a huge Tarantino fan…. but, what????
Time To Pretend - MGMT.
I’m feelin rough I’m feelin raw I’m in the prime of my life.
Let’s make some music make some money find some models for wives.
I’ll move to Paris, shoot some heroin and fuck with the stars.
You man the island and the cocaine and the elegant cars.
This is our decision to live fast and die young.
We’ve got the vision, now let’s have some fun.
Yeah it’s overwhelming, but what else can we do?
Get jobs in offices and wake up for the morning commute?
Forget about our mothers and our friends.
We were fated to pretend.
I’ll miss the playgrounds and the animals and digging up worms.
I’ll miss the comfort of my mother and the weight of the world.
I’ll miss my sister, miss my father, miss my dog and my home.
Yeah I’ll miss the boredom and the freedom and the time spent alone.
But there is really nothing, nothing we can do.
Love must be forgotten. Life can always start up anew.
The models will have children, we’ll get a divorce,
We’ll find some more models, Everything must run its course.
We’ll choke on our vomit and that will be the end.
We were fated to pretend.
Yeah yeah yeah
